Last week I didn’t have time to comment on Powers of X #6, so I’ll go through that one first, but keeping the two separate.

The title comes from the first scene. It opens with Xavier figuring out an original use for Cerebro: send unsolicited advertisement about the new mutant nation right into the brains of everyone on the planet. That’s quite effective for propaganda.

The message itself is about stuff we already know. He says that mutant scientists produced some important new drugs made exclusively for humans (as if that doesn’t sound suspicious on its own, people these days don’t even trust vaccines, imagine having to use a “magical” drug that only mutants can produced with undisclosed formulas and tests). And that these drugs won’t be gifts, but will be used as leverage to force human nations to officially recognize Krakoa, along with a period of amnesty so that every mutant can go join the new community. The moral motivation for this holds up somewhat, as Xavier explains that mutants have been subjected to human bias, and so there’s no way to establish who’s rightly guilty or not, and this whole thing will instead be handled by the mutant nation itself with its own laws, from now on.

The “mystery for mystery’s sake” from last issue is revealed here right away. We see almost the full council. The only missing spot is whoever is going to sit with the white queen and black king. This remains unknown in House of X #6, so part of future plots. A mystery for future mystery’s sake, as once again we don’t get to see how’s that’s relevant or what are the consequences.

What then follows is Sabretooth’s “trial”, so we get to witness exactly how this mutant justice is going to be dealt with. Apparently with a lot of unjustified cruelty. The banter during this trial is quite superficial and inconclusive, but it’s understandable. Hickman does what he can with the little space he has, so he uses the various characters to establish some general concepts.

Without wasting time on that, what’s more surprising is the ominous angle. Sabretooth isn’t even allowed to properly defend himself. First Emma and then Jean reduce him to a drooling baby. There’s no agency, and with no agency no responsibility. When they let him speak again it’s as if he’s completely unaware of what happened. As if he was replaced by an actor. He cannot even grasp the kind of power around himself. The result is that it all feels like a facade, a stage. An example being made, to the reader and to the council of mutants. The final sentence he gets is horrifying. An eternity of stasis but while fully aware. Which is exactly the compete removal of agency. A cruelty without any justification because they could have simply put him to sleep. It’s viciously cruel. And deliberately made so by Hickman.

…And it all ends in a giant rave party, just to highlight the contrast.

A home.

A nation.

A whole lot of empty rhetoric, hiding the dirt under the carpet, away from the eyes. The way of human nations, I guess.

We thrive on symbols and hypocrisy, the mutants have learned well.

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