The dialogues in this one are really terrible. But they’ve been terrible since the beginning, so this is nothing new.

This was mostly a perfunctory issue. We don’t jump all over the place this time, but the added focus doesn’t really add any meaningful depth or story. The sporadic “plot twists” in this one are very weak (like, Wolverine killing Moira doesn’t really have any emotional impact), and seeing characters acting out of character is now to be expected, if blandly acceptable/justified (like, Apocalypse “sacrificing” to send Wolverine over).

The purpose of this one was to complete one chunk of the chart about the lives of Moira shown at the end of House of X #2. As guessed, this missing piece didn’t have any further meaning than simply avoid spoilering what was going to happen in this issue. So at the end of this one we have that small update that goes up to the end of Moira #9. With the 6th still conspicuously missing, and maybe containing a bit more in the way of time travel shenanigans rather than simply withheld to be shown later.

At this point it is shown that these heroes are fully onto Moira’s game, just collecting data in order to use it fruitfully in some future reality, although I’m not sure about the philosophical appeal of Moira being the goddess and deus ex machina of what can or cannot be considered “a reality”, like the measure of a worthwhile future. The implications are much deeper, and Hickman is set to not use any of that, as we’ve seen both Xavier and Magneto jumping on board without any hesitation. No questions asked, no thoughts being moved.

The data on the data collected in the previous issue was about the location of the data on Nimrod’s origin whereabouts. The endgame should be really, really obvious at this point. Especially because Hickman plays dumb to the maximum degree, by consistently characterizing this evil mastermind of Nimrod as a total tool. The point being that Nimrod doesn’t know about Moira, so he doesn’t know about the potential of time traveling and use that origin data to dispose of Nimrod before it becomes a threat (and the AI can only compute as far as the data it has access to, what it cannot see it cannot see). This is like the most typical time travel plots (let’s go back and kill baby Hitler before he can do any harm), only made mildly more interesting because the mechanics of time travel here burn entire realities more than simply looping back to smooth out the kinks.

What’s nice here are the numerous nihilistic undertones that go with it. Actually they are overtones. Because this world/reality/timeline is burned. There’s nothing to save after collecting the data, so why not going all the way and trigger a singularity in the middle of it. It was going to be gone anyway, and of course they all know about it. They have in their hands one more layer of reality, it’s a gamechanger.

(and again, all goes in a blur, so all these radical sacrifices have the same impact of a mosquito being slapped)


It would be almost decent if I didn’t see EXACTLY this being done many times better in the TV series of Travelers, and now that I made the connection I cannot “unsee” it, and it’s ruining the few aspects I was appreciating.

It’s really a poorly delivered X-Men version of Travelers, and the comparison isn’t flattering for the X-Men. All that Hickman adds is noise, without seizing any of the meaning. I feel very stupid for not having made the connection much, much sooner.

Go watch Travelers.

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