Looping Wor(l)d

As many others, I also had a few exceptional teachers. One of them used to say that religions are “cartoons”. Yet often they can offer very good ideas. Not intrinsically bad. The real problem is that in modern times religions often offer models that are too juvenile and that can be replaced by better ideas. So if we get better models, why not?

I’ve mentioned Kabbalah a number of times, as well as my neutral stance toward it. I keep having an interest in it because it can offer many useful (and even “powerful”, with explanation powers) ideas. More often than not at least.

In the previous post I was underlining an universal pattern that applies to the general debate of literature, but not only. Openness is generally a good thing, positive for life in general.

Today I stumbled on a video about Kabbalah that explains this ideas of openness from their point of view. The basic (and maybe simplistic) thesis is that “Nature only knows how to progress through suffering”, but we can also choose to willingly go toward our destination, and so achieve that goal minimizing the suffering. Along with the maybe less directly believable idea that when you bring change to your personal life then this small change will also create a huge ripple through the whole world (a sort of inverse of “as below, so above”). In their view Kabbalah is the willing path that leads to evolution, minus the suffering.

It’s interesting what they say about the idea of “Jews”. You can take it literally or metaphorically. Metaphorically everyone is a “Jew” as long you share that Kabbalistic message and spread it. The “race” is only what you see if you look at the finger instead of the moon. But literally the idea is that Jews were “meant” to spread around the world, through a forced diaspora, so that they would then give the example of this connectedness and openness, so that the whole world would understand and willingly adopt it.

Since I come without prejudices, I believe that the core concept of Kabbalah, this idea of openness and connectedness, is a positive one. Not just in literature, but in all things.

So here’s the video where some of these ideas are explained in layman terms:
http://www.kabbalahblog.info/2013/07/how-to-develop-integral-thinking-jtimes-with-kabbalist-dr-michael-laitman/

P.S.
I should also point out that in all these lessons they put out, the specific aspect of “jewish mysticism” is almost completely absent. Mysticism means conscious experience of the spiritual realm, meaning that you access that type of dimension RIGHT NOW, in this physical life, instead of in some future spiritual incarnation. This idea is still present in modern Kabbalah, but certainly it’s not where they put the emphasis.

Late to the party, but I’ve only seen this movie yesterday. I think that it’s honestly one of the worst movies I’ve ever seen but online it seems the complaints are mostly directed toward the nonsensical plot, while I think instead the plot is more or less straightforward. It’s just a really bad movie. It’s bad as an action movie, visually is only average and doesn’t have a single memorable scene, it’s overflowing with cliches of every kind, and it’s utterly predictable up to its last frame. I just can’t find a single redeeming quality. It’s supposed to ask “big questions” but all its themes are shallow, juvenile and surpassed by average sci-fi. It’s Hollywood at its worst. Big budget spent with zero inspiration whatsoever and a screenplay entirely written by cutting & paste every other Hollywood script. Dull, stupid, naive and clumsy.

But none of these problems are really about “plot holes”, or the movie being too obscure and mysterious. Or complex. This is nothing more than juvenile sci-fi that doesn’t even have the qualities of the Golden Age. Pretentious without doing anything pretentious. That’s why I think that the plot is actually rather straightforward and makes sense. And that’s why I’ll explain some of its mythology, since I’m always interested in figuring out things. Even if in this case there aren’t any worthwhile mysteries to discover.

What’s the “black goo” substance?

That’s one of the most asked questions on the internet, and one I actually didn’t ask myself at all. For me it was so immediately obvious that I never considered it a “mystery” at all. The black goo liquid is just the vehicle of a mutation. Think of a syringe, and how it can contain a poison or a medicine. If you showed a movie to an alien who never saw a syringe and show him a scene where this syringe is used to kill someone, then the alien would naturally associate the idea of the syringe with that effect. But we know that the syringe is merely a tool that can hold different stuff. The black goo works on a similar principle: it’s just how these alien “Engineers” perform their mutations.

In the Prologue scene we see an Engineer, alone on a planet, drink black goo and suddenly collapse, falling in the water (not a coincidence, since life is symbol of the source of life). The black goo carries the mutation itself. In this case the body of the Engineer is first dissolved, and then used to rebuild a new form of life: human beings as we know them. It’s not even necessary to pinpoint if this was the specific case of Earth, what the Prologue shows us is the custom of these Engineers: seeding life on different planets according to their own plans.

The black goo that instead they find in the alien chamber, later in the movie, doesn’t obviously carry the exact same type of mutation agent. It’s the same tool/vehicle, but carrying a different effect. What happens there, and probably a sign of what happened during the “outbreak” that killed most Engineers, is that, as shown in the Prologue, the black goo becomes active when it gets in contact with the air. The room was isolated, but then is opened by these curious human explorers, the black goo activates and there’s a scene showing one of those tiny worms going right into a pool of black goo. Off screen it begins to transform into that bigger snake thing that will kill the two dudes later on. So the pattern is always: black goo + host = new species. This merely to explain logically why we have a difference of effects.

Why does David the android infect Shaw’s love interest (Charlie)?

This is an important plot point with lots of implications. The main (and only) true purpose of the Prometheus mission was to find a way to keep alive the decrepit old Wayland guy. The one who actually pays for the mission and is on the ship in incognito. Before the android starts to play with the black goo we have a scene showing him interacting with Wayland, so instructing the android what to do next. When David is then confronted by Charlize Theron he tells her they have to “try harder”.

Try harder simply means that Wayland cares nothing about secondary purposes, or even the good health of his crew. Like in EVERY OTHER Hollywood movie, we got the powerful rich guy who’s selfish and arrogant, and will do everything to obtain what he wants, even if he has to kill everyone else. That’s what we see. As far as he’s concerned the black goo may be well the elixir of eternal life, so why not test it on one of the crew, especially one who has outlasted his purpose?

That’s the main “plot” reason, but there are also stronger thematic implications. The first is obvious and about the dramatic tension. At that point of the movie we are meant to question the android behavior. Does he knows something we do not? Is he following some hidden agenda? Is he going out of control all HAL 9000 on the crew? All these are essentially dead ends, but they add that shallow ambiguity and mystery this movie aims to.

The second thematic implication is much more important. If you notice David asks Charlie’s “consent”. He explicitly asks how far he’s willingly to go in order to discover the truth about those who “created him” (the Engineers). Charlie’s answer is: “anything and everything”. That’s what David takes as consent. By giving him the black goo and infecting him with it, he gives him that “first contact” with his “maker”. A truth that could even kill him. But there’s an even more important exchange. David first asks why humans made androids (so replicating the pattern of creator/created, father/son, or Engineer/human being) and Charlie answers: “because we could”. David replies: “Can you imagine how disappointing it would be to hear the same thing from your creator?” This is just the most obvious foreshadowing, but it’s important to notice how every character always has that forced and annoying patronizing tone and constant sneer toward the android. For the whole length of the movie. When this happens in a Hollywood movie it’s because they really want to ram on that point.

Why does the awakened Engineer kill Wayland and almost destroys David?

Because once again simplistic THEMES take control of plot. This is a movie called Prometheus, showing a mission called Prometheus, that very openly plays with the Prometheus myth. The myth describes a typical “tabu”: the desire to be like god.

In the specific case of this movie, the tabu is “eternal life”. The ultimate desire of Wayland. So that scene with Wayland in front of the Engineer is a very obvious archetype of a man facing his god and DEMAND he gives him eternal life. Notice how Wayland is portrayed through the whole movie as the arrogant, selfish guy. His stance doesn’t change even when he faces his maker. He’s just there pretending his wish fulfilled.

Now you have to realize this is a movie made by human beings (Ridley Scott and Damon Lindelof). Human beings have this tendency to take Big Unanswerable questions in fiction to try answer them. The typical solution is to make a perfectly legitimate question (why I have to die) into a tabu. An holier-than-thou. A sacred unanswerable thing. Being Holy means that you either accept it, or end up committing a SIN. It’s the typical non-answer. Holy means: righter than you. So if you oppose it, you automatically lose every right, authority or legitimation.

So what happens in fiction when a character demands eternal life? That he’s killed. It’s part of the archetypal script Prometheus is cut&pasted from. Also consider the non-irrelevant fact that, as seen in the Prologue, an Engineer is ready to sacrifice his own life to seed a planet with new life. This means they value evolution far more than personal preservation. Here we have instead Wayland pretending to be given immortality, a very selfish desire, and it’s very obvious that it’s considered by the Engineer the violation of everything he believes in.

Plot-wise the movie hammers on a particular point, in the way you realize it wants no-question-asked. There are two plot-points that are bluntly hammered by the movie. One is about establishing Charlize Theron as non-android (no one really asked until the movie did). The other is the out-of-the-blue revelation that the stone cylinders contain some sort of mass destruction weapon that was then meant to destroy life on earth.

Plot-wise, again, this means the Engineer really shouldn’t have any sympathy for human beings. But more in general it’s the theme of the android/human relationship that carries the action: the same way human beings show no respect or compassion or even consideration for David, throughout the movie, so happens when the pattern is repeated between humans/Engineer. The Engineer shows no compassion.

Why did the Engineers decide to destroy the human life that they themselves seeded in the first place?

This is one of the open ended questions. Those questions that the spectator should interpret his own way. More specifically, this is a question very obviously meant to be answered in a planned sequel.

Without a sequel, my interpretation is that the Engineers didn’t really want to destroy life. They just carry on their quirky experiments. If we accept the fact that the alien ship, carrying the xenomorph goo, was headed for Earth, the purpose here is likely about the experiment itself.

As a weapon of mass destruction the xenomorph aliens aren’t that efficient. You’d guess that aliens that can manipulate genetic code could wipe off a planet far more easily than sending down creatures in hand-to-hand combat. So if they wanted to use the black goo it means they wanted a genetic experiment. Like crossing the genetic code of those aliens with the one of humans, to obtain some hybrid. Or maybe even as a Darwin test, to see if human beings became good enough to survive an invasion: let’s see between humans and xenomorphs who deserves survival.

Btw, this whole deal of thematic depth about the origin of life seeded by aliens and relationship with god is obviously a very shallow and juvenile reproduction of what we have already seen in 2001: A Space Odissey. It’s that plot, made into a Bad Hollywood Movie, that doesn’t even add anything worthwhile to the Aliens mythos.

Btw part-2, Apocalypse, a character from the X-men comics, looks rather similar to the Engineers, and you could say he has their exact same agenda. Including reappearance through history to check on human evolution.

Was Charlize Theron’s character an android?

This could have two answers. If there’s a sequel, it’s possible that she was an android and so would reappear. The movie made clear she’s not one, but her death is a bit suspicious since we only see the ship falling and a whole lot of smoke. Maybe as an android and thanks to the sandy terrain she could survive the impact and play a role in a sequel.

Without a sequel instead it’s very clear she NOT an android. We see her shoving David against a wall, but this is not a test of strength. David has absolutely no reason to harm her, she’s Wayland’s daughter even if Wayland doesn’t have much regard for her. So the scene doesn’t really mean much. Still, it’s very possible that Ridley Scott has this kink for androids who pretend to be human, and so added some ambiguity simply because it’s what you expect from him.

Was that Acheron, the same planet of the first movie?

No.

Why in the classic Alien the alien things come off the egg shaped organic things, whereas in Prometheus the “eggs” are made of stone and contain black goo?

Because the stone cylinders are very obviously not “eggs”. What you see in Prometheus is how Engineers do their job of seeding life. We don’t know if they engineered the xenomorphs, or if they simply took inspiration and copied them, but the black goo is the artificial creation, that embeds with an host and mutates it. Whereas the “eggs” are how living xenomorphs reproduce. The Alien queen lays eggs, it doesn’t build stone cylinders, obviously.

Take the “Chicken or egg” dilemma. This is an obvious transposition. The Alien we know is the chicken, who then lays eggs to reproduce. But how did it come to be? Who laid the first egg? The answer here is: first come the Engineers, who do their job of breeding and crossing species through their “black goo” technology that they put into stone cylinders. So we have (1) stone cylinders -> (2) Alien -> (3) egg.

The layout in the Prometheus ship “mimics” the layout of the eggs simply because the Engineers pay homage to it. The same as they paint the murals. It’s just their xenomorph’s shrine.

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That’s pretty much everything worth commenting. As I said the movie is shallow and doesn’t even have some good themes. The most ridiculous thing, and where the movie drops the ball without ever picking it up again, is right at the beginning. It’s directly framed as creationist/evolutionist debate and instead of actually grasping that theme we’re given: “it’s what I choose to believe.”

That’s how you give the most idiotic answer in an idiotic movie. The real power of science, as everyone knows, is about going AGAINST your personal choice and desire. Otherwise we would still believe in the whole universe orbiting around Earth. We see Science as a tool to discover “Truth” exactly because it gives answers that aren’t subjective or that follow one own agenda or personal preference.

Yet it’s very obvious that this movie celebrates blind faith. By being a believer that main character is rewarded with survival. Everyone else dies, obviously because no one else had a necklace with a cross. Protected by god.

It’s not that I’m anti-religion. It’s how this movie uses religion in the shallowest way: it’s Plot Armor by way of religious power. That never enters the picture. You are just rewarded for blind faith in some arbitrary mythology.

This should tell you how simplistic and shallow this movie is.

P.S.
I should mention that all Alien movies after the second suck. Is just the Alien franchise being so bad? Nope. Dark Horse long ago published comics made as direct sequels to the second Alien movie, written by Mark Verheiden (who also worked on Battlestar Galactica), that are very good and answer pretty much all questions in the Aliens mythos, including the “space jockey”. Ridley Scott could have made an EXCELLENT movie if he just stuck to these much better stories, believe me.

I guess no amount of Science Fiction can surpass what certain people end up BELIEVING. I just bumped into this conference video. I don’t even remotely know what they talk about, but it sounds like “fun”. It’s as if they live in a different world. X-files by comparison is dull and unimaginative.

I enjoy mythology, so this stuff is at least interesting.

My bad. I made a mistake in the simplified scheme about point of view being trapped in relativity, even more clearly in its summarized version.

Overall, it still makes sense to me and should be solid, but there’s an aspect that I probably got wrong. What’s still correct is that Science sees the world as a closed system, and so there cannot be any meddling of any external entity, as well intervention of metaphysics. Even in this last case metaphysics mean that something external seeps into the system to influence it.

Given this model, it’s still true that no amount of information, information coming from within the system, can produce any real change, or any real “freedom”. From that external point of view of god, we are still trapped in a deterministic system (so, predictable), acting in deterministic ways.

My mistake is here:

So Bakker believes that if we posit that “consciousness” is a perceptive fraud/illusion, then one could explain consciousness from the “outside”. Starting from the natural world. That way, in his intention, consciousness should be “explained away”. In the sense that he should be able to describe how consciousness comes to be, how it works, and why it is perceived in the way it is (and why this is only a sort of hallucination).

The problem is that, even more specifically when you deal with consciousness, we know exactly the “origin”. It’s the brain/mind. The postulate is that everything begins in the brain, and so every consequent observation and description need to start from the brain. The switch Bakker makes from an internal self-description, to a “scientific” description from the outside is a formal violation. It’s like in a book switching from first person into third.

My mistake is about assuming that the same as we believe the universe as a closed system, so could be considered the “brain”. Another closed system. The creation of the world only “really” happens IN the brain. Without a brain that perceives things, there’s no reality. So that’s our closed system that we can’t escape.

This is also why I reverted the model: the metaphysics of consciousness. The dualism through BBT becomes the illusion of consciousness. The way we live as if in a different dimension that is separated from Nature. This dimension of conscious thought. It’s the dualistic model upside down. All the metaphysics happen right here in consciousness. There’s the world of physical reality, with its scientific laws out there, and there’s the world of consciousness, with all its myths and legends, with its gods, spirits, and all the “magic”. If consciousness is the illusion, then we all live WITHIN magic, completely soaked in it. Magic is not “elsewhere”, it’s not exotic, but the world we inhabit. The dualism body/mind becomes reality/magic, physics/metaphysics.

The important point of BBT is that it erases this bi-dimensionality (that I refused to accept because even illusion is still one legitimate point of view). But a model where there’s no dualism is also the model, obviously, where my claim is wrong: the brain isn’t closed in any way. The system doesn’t need to be opened, because it’s already wide open.

And if the system is open, then BBT has the power to alter perception directly. This STILL doesn’t offer any real freedom, since it’s still a deterministic system, and opening one box doesn’t achieve anything, nor can in the future. But from the relative experience within the system this makes a great difference.

It also doesn’t change the validity of the relative freedom we have. The deterministic system only removes this freedom if seen from the external point of view. But we can only theorize this point of view, we can’t get there. And so the subjective experience remains authoritative and valid.

The title should be mostly accurate, minor a slight subversion on the concept of “unreality”. This is an attempt at charting the consequences of Bakker’s Blind Brain Theory, so the hope is that everything I write is an abstraction of what’s entirely possible within the grasp of Science. Hence, for Unreality I do not mean the “impossible”, but the illusory experience that is the “human condition”. In the distinction body/mind (that BBT sets out to remove) is present the distinction between physical world (body) and metaphysics (mind or soul).

Look at this image:

This represents the “environment”. For environment I intend everything that pertains to “Reality”. It includes the planets, the starts, as well as all the laws regulating the behavior of it all, and down to physical objects like a rock or a table. All “environment”, all within the domain of Science. You can see this line in the image as oddly shaped. This because every “object” that we can distinguish in reality has a different configuration, or structure. A table and a rock are both environment, just differently organized, and so abstracted in the image as the line having a different shape.

The first may be the abstract representation of environment configured as a rock, and the second as a table. Now look at this image:

What you see there is instead the abstract pattern that represents a “man”, a single human being. From the perspective of the environment this different shape is no different from everything else: it’s still environment. It has a different configuration than the rock or the table, but it isn’t “special”, or qualitatively different. Just peculiar because that shape specifically defines a “man” instead of something else, and so can be distinguished.

With the course of evolution, and the emergence of complexity, this happens:

The man develops observing capabilities. We can still assume he’s still completely passive, but he can now observe the environment, and so understand it, making distinctions between the various configurations the environment can take. By turning observation on himself, he can also make the distinction between himself and the environment (becoming a system, distinct from environment). From the point of view of the environment, that barrier dividing the man from the rest of the environment simply does not exist, but from the point of view of the man, having observation and now a sense of “self” distinct from everything else, that barrier is real. It’s the barrier giving the man his individuality and so also his personal needs and desires. From that point onward the man acquires knowledge so that he can use the rest of the environment he’s observing for his own end and personal advantage.

Consider this:

The one on the left is the general idea we all normally embrace, and that is also subscribed by science. It simply means there’s a Reality, that here I call “Nature”, and within Reality human beings exist. Part of it. One element within the bigger set representing all of Nature.

But from the perspective of the man I described above, the way a human being “feels” and lives in the world is better represented by the image on the right. The man exists within a separate dimension, existing out of Nature, and actually in contrast with it. Man and Nature are constantly at war, one against the other. A human being would not survive in Reality, it’s not a natural habitat, and so men create a protective cocoon, an artificial dimension meant to become an “heaven”, where men can survive. A safer space. We can call this “egg” as Culture. Culture, and language, is the dimension within which human consciousness lives and manages to survives. It provides sense and meaning, it provides values and morals. It creates a vision of the world that is tolerable.

Yet we still know that this vision is just an artificial construction, and that the scheme that more accurately describes Reality is the one on the left: men as one element within the bigger set of Nature. This already reproduces the problem of Dualism: the point of view of the environment, versus the point of view of man (or man as consciousness).

Now let’s get to the problem of God. Science is compatible with the idea of God as the First Mover. As long god doesn’t interfere with Reality, and so as long the system of reality is CLOSED, then this view is compatible with Science. Science can only deal with observable reality, and so only opposes the idea of metaphysical intervention /within/ the closed system. It can’t exclude powers or dimensions existing outside our perception and outside Reality.

So let’s assume that there’s an external entity to Reality, our god. He created the System of the World, but from the moment it was created (the Big Bang) this system becomes “sealed”, and so completely closed. From this point onward the god can’t modify anything anymore and can’t meddle with what happens within this system. The god can only “observe” what happens within it.

What I’ve just described is a deterministic system. Everything in this system simply happens accordingly the law of Reality as they were defined from the beginning. From that point onward it’s only about a cascade of effects. This means that from the perspective of our god, given any point in the timeline of this universe and, knowing every element of the system and every law, the god can predict EVERYTHING that happens in the future (of that point) and EVERYTHING that happened in the past. It’s the same as taking an arbitrary point of a movie and that move forward or backwards. Since the movie is a finite thing you are going to see always the same thing, it doesn’t get to “change”. If at some point in the movie a car turn left, it will always turn left no matter how many times you rewind and replay the scene. And since the System of the World was created by the god as closed, then everything that happens is deterministic, and so can be directly deduced as long you know every element and every law within.

Now let’s assume, as I was doing at the beginning, that one of the particles in this system, a human being, acquires observing capabilities. This is our element:

I’m abstracting to get to the point. This particle represents a human being. He can observe the environment, he can self-observe, and he always, constantly moves “East” as long he stays alive.

During the course of his life this man, since he can observe, has made his own idea why he’s going East. He thinks that moving east is his own choice. Maybe there are all sort of ugly people around him and he said: “what the hell, I’m going East.” Where there are less ugly people. Now let’s say that at some point this man has a big revelation. He finds the Blind Brain Theory and suddenly realizes that he’s not moving east for the reasons he thought, but simply because he’s a particle whose purpose and obligatory need is to “move east”. His nature.

Here’s the PARADIGM SHIFT. He decides to turn and go North:

If our particle suddenly decides to stop going East and go North, after it got the revelation of its true condition, then two, and only two, scenarios open:

1- A formal violation happens. The system of Reality that was supposed to be closed, is not. Because a particle within the system, by gaining consciousness and making a different choice as consequence of the information it acquired, “exited” the system and then re-entered influencing it. It’s like this particle was able to communicate with the external entity called god (so information not originally part of the system) and bring back that information into the system. Producing a change.

2- We are just observing the perpetuation of the illusion. It’s the system that was meant to make the particle go north at some point during the course of its life. The system is still closed, everything still moves accordingly to the original plan. What appeared to be as “change”, or a novel behavior, was only novel for the norm. But it was still caused by the natural law governing this system, in the exact way they were set in motion when the system was sealed.

Let’s assume that (2) describes exactly Reality and that (1) is completely speculative and implausible. This means that a Blind Brain Theory won’t free human beings of their limited perspective. No amount of (accurate) knowledge gives a man a true control on Reality. The closed perspective we’re trapped in can’t be betrayed or breached. Our knowledge can aspire to reach the knowledge that the hypothesized external entity I called god might posses. But it’s still information in this system that belongs to the system. It can never ACT on the system itself to change it, because this would mean the system isn’t closed anymore. That there was a breach. No amount of self-awareness can free one of the Determinism within a system, because that self-awareness is simply an iteration of the Determinism of that system. More of the same.

That’s the point of my counter-argument to BBT. If we have no way to escape our closed perspective, then paradoxically our perspective acquires legitimation. Even if we are able to imagine the other perspective, and assume it “true”, it still can’t change the way we are and feel. We can swap one dream world for another, but we can’t get free even if we are aware of the illusion.

Can then human beings be blamed if they decide to live solely in their fictional bubble, in their artificial and illusory Eden?